![]() and 9: Table of Contents Acknowledgements.and 7: Deborah Schwarz-Kates, Grayson Wags.and 5: © Copyright by Christina Taylor Gi.and 3: This dissertation seeks to provide.In addition, the years in question mark the period directly preceding the premiere of Chávez’s ballet, H.P., with the Philadelphia Symphony Orchestra, a performance that transformed Chávez’s career and made him one of the most well- known Latin American composers in the U.S. but it was also a center for modernism and expatriate Mexican culture. Sammie Galvan is playing top row far right, Bobby is bottom left. Arcaraz was known as the Glenn Miller of Mexico. During these years, New York was not only the cultural capital of the U.S. Luis Arcaraz Orchestra, possibly in Laredo. Although they are among the most significant figures in Mexican musical history, the influence of these composers and their works in New York from 1925-1932 has not been sufficiently studied. Ponce, Julián Carrillo, and Carlos Chávez was performed in New York and widely reviewed in the city’s newspapers. Robert Cohen, Professor Emeritus, Musicology and Ethnomusicology Division, School of Music From 1925 to 1932, music by Manuel M. PONCE, JULIÁN CARRILLO, AND CARLOS CHÁVEZ IN NEW YORK, 1925-1932 Christina Taylor Gibson, Doctor of Philosophy, 2008 Directed By: H. ABSTRACT Title of Document: THE MUSIC OF MANUEL M.
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